09.25.22 La bohème reliable as ever, even in reverse.09.30.22 'A very original genius': playing Frida Kahlo at San Diego Opera.10.09.22 Carmen doesn't quite commit at Lyric Opera of Kansas City.

10.23.22 Sproule sings a rich, effortless Carmen in Victoria.10.23.22 Show stealers in Enigma Chamber Opera's Prodigal Son.10.24.22 “Electric and exciting”: Edmonton Opera launches 2022-23 season with Puccini’s Tosca.Megan Mikailovna Samarin is currently a member of the Houston Grand Opera Studio. She was a finalist in HGO’s Eleanor McCollum Competition Concert of Arias as well as a District Encouragement Award winner of the Metropolitan Opera National Council Auditions. Samarin is a 2016 Sara Tucker Study Grant award winner.

Other highlights include Hansel in Hansel and Gretel with the New York Lyric Opera Theater and Flower Girl in Le nozze di Figaro with Opera on the Avalon. She is alumna of Houston Grand Opera’s Young Artists Vocal Academy. She was featured at the Brevard Music Center Janiec Opera Company as Soeur Mathilde in Dialogues of the Carmelites and Cousin Hebe in Gilbert and Sullivan’s HMS Pinafore. As a member of the Seagle Music Colony Young Artist Program, she sang Madame Larina in Eugene Onegin, Cherubino in John Davies’s The Three Little Pigs, and Cis in Albert Herring. Megan Samarin earned her bachelor’s degree at Manhattan School of Music, where she sang Farnace in La Doriclea, Anne in The Mother of Us All, and Vénus in Orphée aux enfers. The 2012-13 season included singing La Marchande in Les mamelles de Tirésias at Wolf Trap Opera.

Samarin also performed Angelina in Houston Grand Opera’s 60th Anniversary Concert featuring Joyce DiDonato. Samarin made her Houston Grand Opera debut as Second Lady in The Magic Flute and Johanna in Sweeney Todd, also covering Dorabella in Così fan tutte as well as Suzuki in Madame Butterfly. Samarin made her Glimmerglass Festival debut as Marzia in the American premier of Vivaldi’s Cato in Utica. Samarin sang Olga in Eugene Onegin, Lady Columbia in the world premier of O Columbia, Third Wood Nymph in Rusalka, and Lady Maresvale and Mistress Revels in the world premiere of Carlisle Floyd’s Prince of Players and covered Cherubino in Le nozze di Figaro, Fox in The Little Prince, and Julie Jordan in Carousel. In the 2016-17 season mezzo-soprano Megan Mikailovna Samarin returns to Houston Grand Opera for three productions, singing Siébel in Faust, Second Secretary in Nixon in China, and covering Wellgunde in Götterdämmerung.

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